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From: KEVIN PASSMORE <SHAKP@cardiff.ac.uk> Date: Thu, 7 Mar 1996 12:54:01 GMT Irvine Wall's review of Robert Soucy's "French Fascism. The Second Wave" was in my view a perceptive one which gave the book the serious consideration it deserves. There is much in the review (positive and critical) with which I agree. I feel, however, that I have to take issue on one point. Irvine Wall asks what is to be gained by calling a movement "fascist" or "not fascist"? He suspects rightly that politics creep into our nomenclature and affect the way in which we define fascism. I think he is saying that instead of putting a "political" label on the Croix de Feu or other movement of the far right in France we should limit ourselves to describing "fairly and accurately" its politics (presumably in its specifically French context). I could say a lot about this, but will confine myself to three points, which are designed to defend the legitimacy of Soucy's interest in the question of fascism: 1). Yes, historians should attempt to be conscious of and limit their political and other preconceptions. But the fact remains that the questions we ask necessarily arise partly out of such preconceptions. This does not, however absolve us from ensuring the internal coherence of our arguments and conclusions, from confronting our questions with evidence, or from exposing our work to the criticism of others. The historian therefore does not aim at "truth" but at relative objectivity from a point of view - our views are not objective, but some answers to particular questions are better than others. As far as the Robert Soucy book is concerned this means it is as legitimate for him to be interested in the question of fascism as it is, say, for a British conservative to be interested in constitutional history. As historians we cannot prevent the asking of particular questions. (Though we might want to do so as citizens and/or moralists - but of course historians are no better at citizenship or morality than anyone else). Once a question is asked we can either choose to ignore or denounce it on moral grounds or we can treat it, as historians, on its merits. 2). Once the question of fascism is posed, the historian then has to ask whether it is a *useful* definition. Is it more useful than concepts such as "authoritarian conservative", "totalitarian" and so on? We decide such issues by asking how much of what we know is revealed, explained or obscured by the concept in question. We might want to discard the definition altogether, or we might want to modify it (Thus my own work on the Croix de Feu has argued that Robert Soucy's view of fascism fails to take account of the populist side of fascism and of the Croix de Feu). If we conclude that the Croix de Feu is fascist, this does not, however, mean that we are taking an essentialist position. (Essentialism I would take to mean the idea that by giving a movement a name we are tying down its real nature, reflecting its reality - clearly an untenable position - meaning, as the post-structuralists say, does not arise naturally from reality). All we are saying is that this concept is a *relatively useful* means of making sense of what we know. To say that the Croix de Feu is fascist does not therefore rule out the possibility that this concept will be superceded. And crucially, neither does it mean that we cannot *simultaneously* use other definitions. The Croix de Feu could for example be both fascist *and* belong to a broader group of populist movements. 3). It follows from the above that there is no reason why we should not pursue *both* the strategies described by Irwin Wall. On the one hand I would argue that using the concept of fascism reveals certain important features of the Croix de Feu (in my view, though not Robert Soucy's, these features are its combination of radical populism with reactionary conservatism). Perhaps more important, using the concept of fascism permits *comparison*. This is impossible without concepts which extend beyond particular instances - in my view it is quite legitimate for historians to ask whether the rise of Nazism in Germany was part of European or world developments that favoured a certain kind of political movement. On the other hand, questions of this nature do not rule out an examination of the origins and nature of the Croix de Feu in its specifically French context. This latter type of analysis is possible because, as I have said, the concept of fascism does not claim to capture the essence of fascism; it is necessarily partial and of use only from a certain point of view, depending on the questions we ask. To claim that the Croix de Feu is fascist and therefore that it has important features in common with Nazism or Italian fascism does not mean that we have said everything there is to say about the movement. So in looking at the specific features of the Croix de Feu we would simultaneously have to deploy many other concepts. Kevin Passmore (University of wales Cardiff) passmore@cardiff.ac.uk Maintained by Barry Russell: barry@sol.brookes.ac.uk | |||||
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