Fall 2002
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Although not footnoted, the bibliographical essay at the end of the book provides directions for researchers wishing to delve into the subject. Vacha draws upon local and national primary sources, studies, dissertations, and a variety of secondary sources to interpret the story. Two appendices provide lists of Cleveland's biggest hits and a selection of prominent theatrical openings in the city. The book, however, lacks maps depicting theater and district locations over time for those readers interested in the geographic implications of the theaters.

Vacha's writing is readable and entertaining for general audiences, and illustrations are integrated within the layout of the text, contributing to the effectiveness of the narrative. The book is a significant contribution to the history of legitimate theater and a valuable addition to local and regional history libraries.

Stephen H. Paschen
The University of Akron
Akron, Ohio

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