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In the same academic year, a similar impulse led
to the creation of emblems for the several literary societies on
campus. Interestingly, however, at this juncture the issue of
expense and the overtones of extravagance surface, as an editorial
in the Oberlin Review confirms.11 Given this rising
interest in "college distinctions," it is not surprising
that the issue of cap and gown also arises at this time. Certainly
it was an issue on other campuses, a development of which Oberlin
students were well aware. For example, one editorial in the Review notes "Just now a great deal of interest is attached to the
subject of cap and gown, in all the larger colleges. Seniors at Yale
will wear them during the entire spring term, and in most of the
eastern colleges they will add to the dignity of the graduating
class during commencement.12 And a few weeks later
the column "College World," a regular feature of the newspaper
that compiled news items from other schools, noted that the
mortar-board had been adopted by students at Rochester (with
different classes distinguished by the color of the tassel), and
that at Dartmouth, seniors would wear the cap and gown at
commencement, although around a third of the class were against
it.13 Earlier, in 1881 when Oberlin students first adopted
the mortar-board, the Review placed the innovation in the
context of other colleges: "Oberlin is the last College on the
long list that has adopted the "mortar-board" and at the
beginning of next term that venerable covering of scholarly youth,
will be seen for the first time in our College precin[c]ts."14
The
adoption of cap and gown in the early years of its usage at Oberlin
took various forms. It appears that initially things moved
from the top downwards, beginning with the cap. Students adopted
the mortar-board as their student hat in 1881, with individual
classes distinguished by the color of the tassel.15 By the following
year
use of the mortar-board was waning because of the advent of warm
weather, though at the time some thought that this was only
temporary: "when the cool days of another year come, we hope
to see all the old oxfords in full array, together with a goodly
number
of reinforcements, designating by some appropriate color in the
tassel, the members of [the class of] '86."16 Apparently the
interest did lag, however, because in 1890 the student newspaper
announced that the sophomore class had chosen the mortar-board as
their class hat: "the mortar-boards have been brought out from
their hiding places at last, as everybody knew they would
be."17 The adoption of cap and gown together was later
in coming, with student interest running in advance of faculty
sentiment. For example, regardless of student opinion, the faculty
rejected cap and gown for students at commencement in 1892, and
apparently did so hastily and without discussion.18 However,
by 1896, the garb had been adopted by the senior class as their
"badge of seniorhood." In 1898 the Review noted:
This year finds the seniors again in the
dignified garb of cap and gown. [The class of] Ninety-nine is now
the third successive class to adopt this badge of seniorhood, and
it is accordingly felt that by the graduating classes to follow,
this distinction will be adopted without hesitation.19
And from this time forward there seems to have
been a variety of occasions on which cap and gown were worn by the
senior class. Certain days of the week were so graced: sometimes
Fridays, sometimes Wednesdays before noon.20 Important social
occasions were also marked with the distinctive dress. For example,
in 1901 seniors wore cap and gown to attend a Class Day breakfast at
a Professor's home: The local press reported:
The senior class began their class day
exercises by a breakfast in Professor King's yard on East College
Street. About seventy members were present, clad in cap and gown,
and greatly enjoyed the novelty of their last breakfast together
as a class.21
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