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This last analysis provides the springboard for
the final two chapters that are case studies of African American and
Italian American communities aimed at showing how the giving
patterns reveal how each group viewed itself and how it shaped its
own social world. According to Tuennerman-Kaplan, African American
giving efforts were more numerous and organized. African Americans,
perhaps because of pervasive racism, developed many institutions to
help themselves. Churches drew congregants into a network of social
relationships with the implicit, and at times explicit, obligation
to care for one another. Church Aid and Pastor's Aid Societies were
prominent features of many African American churches such as St.
John's AME and Shiloh Baptist; Cory Methodist Church had seven aid
societies. Along with congregant-oriented giving, church societies
reached out to give aid across the community and church leaders came
together to pursue issues of common concern to all African Americans
residents. Fraternal orders, sisterhoods, burial societies, and
other mutual aid organizations also served as community giving
networks. Through this aid network, African Americans in Cleveland
thus met many of their own needs for "social services, for
spiritual enrichment, for culture, and for information"
(123).
Italian American immigrants, on the other hand,
did not develop such networks until the later years of this study
because they tended to band together according to their region of
origin in Italy. Not perceiving of themselves as Italians with
common interests and concerns, they were far less inclined than
African Americans to form community network of givers. Yet, here
too, Tuennerman-Kaplan argues, a social analysis of giving practices
demonstrates how a group exercises power. In this case, by refusing
to become aid recipients, Italian Americans were choosing
"social and cultural independence" (128), and in forming
only certain kinds of mutual aid societies - such as the Societá
Gildonese or the Fratellanza Siciliana - they were choosing to
maintain their older village identities.
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